VARIETY
Andrew first contacted me through our mutual friends, ONER Vfx’s creative collaborators Rodrigo Tomasso and Marcelo García…
The issue was that we had to not only cover a lot of different surfaces, but we also had to negotiate these really narrow gaps and it needed to be fast, really fast, but in real-time and affordable. (…) all our tests were amazing. Celebrating with euphoria, we hugged like kids.
DP on How That One Tracking Shot Was Achieved
by Jazz Tangcay – Jun 1, 2020
COMINGSOON
I got (…) a killer VFX house, (…) a great VFX company. (…) my VFX guys, Rodrigo Tomasso and Marcelo García (…) a wonderful international group (…) from Buenos Aires, Oner VFX.
Very appropiate name for this movie.
Andrew Patterson Director Interview
by Max Evry – Jun 8, 2020
INDIEWIRE
Patterson was inspired by a nifty shot from 2009 Argentinian movie “The Secret in Their Eyes” he said, “which starts as a helicopter approaches a stadium, and then the shot drops into the stadium where we find the lead character in a melee of fans and follow him as he’s looking for the killer.”
Patterson created four practical shots for a visual effects house to blend and stitch together, much like “1917.” “You can’t see a cut”, he said. “The effects change the geography, tighten up how our four shots played out in the real world when we filmed them. It was lot of work.”
Inside Oklahoma Indie Andre Patterson’s Dazzling Debut
by Anne Thompson – Jun 1, 2020
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